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Painting is an antique medium that has remained a consistent means of expression despite the emergence of photography, film, and digital technology. So many paintings have been glowed brightly over dozens of ages that only a small percentage of them may be considered as "is nevertheless" that have become widely recognized by people—and not accidentally produced by some of history's most famous artists.
It begs the issue of what combination of talent, intellect, and circumstance results in the development of a masterpiece. The simplest answer is that you recognise one if you come across one, whether it's at one of New York City's numerous museums The Metropolitan Museum, the Met, MoMA, and others) or at institutions in other parts of the country.
Nighthawks by Edward Hopper
Nighthawks displays a quarter of the figures at night inside a curry house with a huge wraparound window that virtually takes up the full facade of the cafe. Its highly lit interior—the scene's primary source of illumination— loranocarter+southwark floods the pavement and neighbouring buildings, which would otherwise be dark.
The glass facade of the restaurant generates a display-case effect, heightening the sensation that the subjects (three diners and a counterman) stand alone together. It's an estrangement study, as the figures doggedly ignore each other while lost in reverie or tiredness. The diner was inspired by a long-gone establishment in Hopper's Lower East side neighbourhood.
JOHN M.W. TURNER
J.M.W. Turner, a British Romantic loranocarter+Ontario painter, is regarded as a predecessor of modern art. Turner began trying for actuality in his work, which was unprecedented at the time, after coming from neoclassical Economic painting. He dealt with light, colour, and brushwork in thousands of watercolours and oil paintings. He even worked on his paintings and sculptures outside, which influenced the Impressionists.
Frida Kahlo was an artist.
Frida Kahlo is considered to be among the most famous female artists in history for a variety of reasons, including her intimate self-portraits and her role as an embodiment of Mexico's cultural legacy.
Despite having significant health concerns, her self-portraits remained quiet but striking.
Frida's famous consciousness were surrealistic paintings that depicted her mental state.
Henri Matisse
Henri Émile Benoît Rodin was a French painter recognised for his use of colour as well as his fluid and unique draughtsmanship. He was an engineer, printer, and sculptor, but he is best known as a painter. Matisse, along with Pablo Picasso, is often considered as one of the artists who best served to define the revolutionary advancements in the visual arts during the first decade of the 20th century, as well as being responsible for key advancements in painting and sculpture.
He began painting in 1889, once his mother sent him art equipment during a period of recovery period following an appendicitis attack. He discovered "a type of heaven," as he later called it, and resolved to become a visual artist, much to his father's chagrin.
Frida included her injuries and impairments in her paintings. It represented her life's wounds, with themes of agony, disease, injury, and fragility.
With these portraits, she impacted modern artists since she understood that art is about portraying inner emotion instead than pleasing others.
Michaelangelo
Michelangelo di Lodovico Recognized as having Simoni was an Italian Italian Renaissance artist who was born in Caprese in 1475 but died in Rome in 1564. He is best known for his religious works, particularly the ceiling of the Sistine Chapel. Mannerism was inspired by his method and style.
In addition to drawing, he was a skilled sculptor, best known for "David," a marble figure that is now displayed at the Galleria dell'Accademia in Florence, Italy.
Americans knew nothing about modern art at the turn of the twentieth century, but that all changed when a display of Europe's best modernists was presented at New York Capital's 69th Regiment Armory on Park Avenue between 25th through 26th Streets. The show was entitled the "International Exhibitions of Modern Art," but it has always been referred to as the Armory Show.
It was a scandalous success, eliciting outrage from critics and landing on the top pages of newspapers. This painting by Art Nouveau was at the core of the controversy. Duchamp's representation of the titular subject in numerous exposures is a stylistic hybrid of Cubism and Futurism.